Reference FrameVenue: Danielle Arnaud contemporary art
Curators: Danielle Arnaud
Date: 10th September 2003
David Cotterrell’s first solo exhibition, Reference Frame, explores themes of approximation and translation in the process of representing behaviour through data.
The exhibition investigates areas of human experience for which the visual language of representation must, to allow comprehension, involve symbolism and acceptance of arbitrary convention.
God’s Eye View consists of three projections exploring facets of the symbolic order imposed on human experience of the world. The work both celebrates and questions the wisdom of attempting prediction.
Enlisting the aid of the Met office and the Centre for Advanced Spatial Analysis, these works offer up the mechanisms employed for the visual mapping of the virtually invisible for consideration. Struck by the inadvertent beauty of systems created to ease understanding of a complex world, Cotterrell here replicates the language of predictive modelling to highlight what is lost (and gained) through the process of translation.
Working with a set of climatic statistics to predict possible future weather systems, isobars continuously create new patterns, metamorphosing the reality of a tornado into an agreeable aesthetic experience. Traffic flow around an urban centre and its inevitable gridlock as more and more vehicles are introduced into the equation mimics video games like SimCity and Populous. Red dots, each representing a human life, dash to and fro: bunching together in ‘desirable’ spaces, leaving others abandoned. These works have an eerie quality reminiscent of science programmes in which we witness the acceleration of the spread of HIV or ebola through a healthy host. We see human choice and naturally occurring patterns reduced to game-like conditions.
The quest for God-like status is brought down to earth by the limitations imposed by humanity’s collective imagination: prediction machines are only capable of replicating identified trends. Our inability to witness all of the convolutions of existence is reduced to an abstraction: a translation or ‘Beginner’s Guide’ to this shared existence. Cotterrell employs the very visual language of meteorologists and spatial analysts to create works that openly question the wisdom of urging the blind sibyl to tell her tale.
Text by Jordan Kaplan